(2019) Mural's and campaign for Nora Turato's exhibition 'explained away' at Kunstmuseum Liechtenstein. Typeface by Schick Toikka, Photo's by Stefan Altenburger

(2015) For Katarzyna Szugajew's exhibition 'Casual Selecta' at Galeria Sztuki Współczesnej MD_S, Wroclaw, Poland.

(since 2016) New visual Identity for Kunsthaus Glarus (web, print, type design). Website developed by FLX.

(2018) Keychain for Kunstverein on the occasion of Merch March.

(2018) 'Fandom' by Brand-New-Life, Magazin für Kunstkritik. 175x250mm, 115p., printed by Tallinna Raamatutrükikoja, Estonia. Special member edition for B-N-L members.

(2018) 'Pool 2' by Nora Turato, 150x200mm, 704p., produced by UKS, Oslo, printed by robstolk, Amsterdam. (2017) 'Pool 1' by Nora Turato, 150x200mm, 704p., printed by robstolk, Amsterdam.

(2017) www.icantbendthatfar.com, a project by Maria Pask.

(2016) Brand-New-Life, Magazin für Kunstkritik. Developed by FLX.

(2017) De Appel art centre website / online identity. Developed by Carla Peer.

(2018) 9 Coins / Visual Identity for Tlön Projects, custom typeface developed with Jung-Lee Typefoundry, code by Oz

(2017) ‘The 8 and The Fist’ by Barbara Kapusta, published by Gianni Manhattan Vienna, 120x180mm, 100p., printed by Remaprint, Vienna.

(2016) 'WT Papier' project space for the New York Art Book Fair 2016, with Eloise Harris and Robert Milne.

(2019) 'Artwork as Institution. Stephen Willats', published by Brand-New-Life, Magazin für Kunstkritik, 260 mm x 210 mm, 74p., printed by Tallinna Raamatutrükikoja, Estonia.

(2018) 'Mobil, autonom, vernetzt. Kritik und ökonomische Innovation in Ephemera der Konzeptkunst, 1966–1975' by Barbara Preisig, 210 mm x 297 mm, 244p., published by edition metzel.